JE Blog

Startup Schools

Willie Thomas | November 7, 2011

Getting Started:

I suggest that you print out the lessons for each student. It may be easier than students using laptops in the classroom. We hope to have a printer friendly version available soon. But for now, do the best you can. Beginner's Corner Lesson 1 Link

Next, download the Start Up Full Band-Bb & F Blues and the Bb & F Dorian Minor arrangements (download HERE) with parts for each instrument in the band. I suggest making a folder for each student.
Find and check out the Rhythm Pack Start Up Lesson. Rhythm Pack Lesson 1 Link

Get that horn out and join the band!

Encourage the students to go through the Beginner's Corner Lesson 1 online at home before you start working with the Band in the classroom. You may want to have a special session to start the rhythm section. Use the Rhythm Pack Lesson 1.

Lesson 1 (3 Sessions 30-45 minutes)

When the rhythm section can play the Bb Blues form with a steady beat, have the full band play through the Full Band Bb Blues arrangement in whole notes. Do this until they can play it in tune with a good sound. Then, have just the brass section followed by the sax section play through the Bb Blues chart.
Session 1 Jazz articulation, style and blues vocabulary
Lesson 1.1 - Have the brass and sax section alternate playing the jazz articulation with the Bb blues arrangement. Do this until the students are playing legato notes, breath accents and house top accents with correct style and good rhythm. You might want to play online examples for students to hear in the classroom. They need to work on this at home online or in the practice room.
Lesson 1.2 - Play the warm up triplets with the chords in the Bb Blues form. This is a good way to start a rehearsal. This helps students get a feeling for 12/8 swing style jazz.
Lesson 1.3 - Use the Bb Blues arrangement as you play and learn new vocabulary. Let the brass and saxes take turns playing the blues riffs or patterns for sections or individuals to imitate. Memorize these riffs. Be creative!
Lesson 1.4 - Etudes in each lesson organize new vocabulary or licks into choruses. Alternate sections with the Bb Blues arrangements played behind the etudes.
Rhythm Section Notes
It will be important for you to monitor the rhythm section players individually and as a group. Insist on a steady beat. Make sure they are selecting and using appropriate rhythms to reinforce the vocabulary patterns. This is all outlined in the Jazz Anyone Rhythm Book Teacher Edition. The continuous playing required in these routines allow the rhythm section to play without interruption. This is the best way to create a swinging rhythm section and band.
The previous work may take an entire session. This is a good place to pause. Encourage students to work online at home between sessions. This will insure steady progress. Make assignments and listen to them in class as you work through the lessons. Accountability is an essential part of the process.
Session 2 Starting Improvisation
Lesson 1.5 - Start this session with a discussion about the blues scale, the blues harmonies and the blues form. Help them understand how they are formed. However, don't get into the weeds with the theory. There is plenty of time for that. The important things for them to understand is that jazz is a language, comprised of sounds, rhythms and form. To speak the language of jazz, they need to hear the vocabulary played, learn to play it and how to use this knowledge creatively.
Lesson 1.6 - Play through the 4 measure blues scale patterns one at a time. Alternate between the sax and brass sections playing the Bb blues charts. Then, suggest that students rearrange the blues scale notes with different rhythm patterns. Reverse the process with the brass and sax sections. Continue this process until most of the students are improvising freely. Big band jams are inspiring!
Finish this session by encouraging individual students to make up blues melodies to fit fixed rhythm patterns. This important process is a part of all the Beginner's Corner lessons. Finish your session with this activity.
Session 3 Putting it all together
Lesson 1.7 - Start your final session with individual students playing licks for others to imitate. This helps train the ears and fingers to play what they hear. Do this with just the rhythm section, or sections in the band. Finally, make up simple on-the-beat rhythms for students to play with the arrangements. Let as many students as possible improvise a chorus or two of blues. Don’t forget to make sure the rhythm players improvise. You'll soon see who's hot and who's not. This is how you find the solo potential.
Lesson 1.8 - Assign parts to the B B Blues Mini-chart and play it several times with interested students taking solos. Insist on good intonation, steady beat and correct jazz style, played with a full sound ... lot's of air, please!
Lesson 1.9 - If you have a little extra time, you might want to discuss the Artist featured on each inspirational page Some of the students may already know who Wynton Marsalis is. Remember, listening to jazz is an important part of the learning process.
Rhythm Section Notes
Use this opportunity to help your rhythm section correctly play their parts correctly in this arrangement. This is where they start learning to listen to the band, reinforce accents and still keep the beat steady.

Lesson 2   (4 Sessions- 30-40 minutes)
Encourage the students to play through lesson 2 online outside the classroom  before you start the Lesson.  They can do this in several session on their own.  You may also want to print this lesson put for the students.
Rhythm Section
You may want to take the time to work through Lesson 2 in the Rhythm Pack with the rhythm section before you start Lesson 2 with the entire band.  The drummer will require the most time and attention learning to correctly develop the ride beat. Those left hand triplet exercises on the snare interacting with the right hand on the ride cymbal takes some serious work.  When that’s going well, you’re ready to “swing” with the entire band.
Session 1 Jazz articulation, Style, new Vocabulary
Lesson 2.1 Start the entire band playing the Bb Full Band arrangement with a Bb Concert accenting the 3rd triplet note in each triplet pattern. This will be a great warm up for every session. The more you do this, the sooner the band will swing.
Listen to the staccato examples played online. Have the entire band play the new articulation on a Bb concert through the blues chords in the Bb band arrangement.
Lesson 2.2 Listen to the online examples of how to and how not to play the new Blues vocabulary.
Have the brass and saxes alternate (call and response) new Blues vocabulary patterns with the rhythm section.  Encourage the rhythm section to reinforce the patterns with Lesson 2 techniques.
This will more than likely suffice for Session 1. If you have any extra time, let the band play the Bb Blues arrangement while selected students randomly play the new vocabulary patterns.
Session 2 Tripletizing
Start Session 2 with with your syncopated triplet warm up.
Lesson 2.2 Have students listen to the examples of tripletizing online.  Discuss the concept.  Let them try this with exercises 3-4 on the play track.
Let the students discuss and apply this concept to all of the new vocabulary patterns. They can do this in unison with the rhythm section. Have the drummer play extended left hand triplets on the snare drum through the entire exercise.  This will help your drummer develop some left hand chops.
Lesson 2.3 Have the entire band play the etude with the rhythm section. Then alternate the etude between sections while the brass or saxes play the Bb Blues arrangement. After they play each etude chorus, interject a solo. Do this until you’re out of time.
Session 3 Expanding Vocabulary
Start Session 3 with with your syncopated triplet warm up.
Lesson 2.4 Discuss the importance of memorizing the vocabulary to use for improvisation. Select individual students to mix and match the new vocabulary patterns into solos with the rhythm section. Spend some time on this concept.
Lesson 2.5 Creating melodies to fit fixed rhythms is a bedrock strategy in developing interesting and meaningful improvisation. It’s a simple process but may take a little discussion and lots of practice. Have students listen to the examples online with the play track. Discuss the process.
Have saxes play the fixed patterns and have the brass make up a melody with the rhythm all together. Then reverse the process. It will soon be evident who the potential solo players will be in your band. Encourage them to spend plenty of time on this at home.
Finish this session with selected students soloing over the Bb Band arrangement. Apply the new vocabulary pattern rhythms to the chords.
Session 4 Jazz Technique
Start Session 4 with the syncopated triplet warm up. You might want to start applying the triplets to each note of the minor blues scale moving up and down.
Lesson 2.6 Play these technique exercises with each section of the band as the other section plays selected rhythms through the chords of the Bb Blues arrangement. These exercise should be continued by students outside of the class on a regular basis.
Lesson 2.7 Ear training can be fun in class when individual students are selected to play patterns with the rhythm section for the class to imitate.
Lesson 2.8 Finish Session 4 playing through the Doo-Dit-Blues mini-chart. Play the head, let some students solo, repeat the head and go to the coda. When you have time, discuss the style, precision, balance and intonation that were evident as they played the chart.
Lesson 2.9 Whenever possible, discuss the artists featured on the Inspirational page. This is always important and often overlooked.
Lesson 2.10 What Did You Learn, can be used in a variety of ways.  It’s a good check list of what the students should or have accomplished if you’re into accountability.

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